Friday, October 5, 2012

Beach House, Dustin Wong McDonald Theatre, Eugene, Oregon September 29, 2012


I admit it has been a long time since the McDonald and I have spent an evening together. But if anyone was going to reunite us, it would likely be the indie darlings Beach House. And while Beach House was headlining and I admittedly had a girl-boner over seeing them, it was Dustin Wong that I expected to steal the hearts of the youth painted in eyeliner and flip flops.

Dustin Wong might be someone you've never heard of, and when he walked on stage wearing a gigantic cardigan only a bingo-going grandma could love the crowd responded tepidly. But tucked between two frat gentleman in the front row (really?), I knew better. He gave us a sheepish wave, popped his Converse off, and sat on a folding chair. The first staccato sounds from his guitar were simple and deceiving; until he looped them and began to build. Armed with pedals and a vision most of us lack, Dustin continued compounding sounds to create songs of surprising depth and warmth. Tweaking a guitar here and there is no big feat-any bedroom rocker can get a pedal on eBay-but to have multiple going at once and piling on the sounds to make something better than a wall of noise is tricky.

The crowd fell quiet, trying to figure out what exactly was going on, and on the way, fell in love. Occasionally, Dustin would stand up and sing into the mic for an extra layer, reminding us of the single human responsible for the complex and lovely songs. Near the end, the crowd began to clap along, and Dustin looked up a few times as if in disbelief. “You really like it,” he seemed to be asking. “Oh hells yes,” the audience replied, keeping the beat through the song. After his set, as he was packing up to leave, a girl yelled “you were SO good!” and he blushed. Both gentleman next to me asked who had just played and upon being given the name, went about looking Dustin up on their phones. One must give credit to Beach House for supporting such an inspiring and gentle force.

When the lights dimmed for Beach House (an extended 45 minutes later), some of the stars had fallen out of the crowds' eyes. But what had been lost in momentum was gained in pleasure of seeing Victoria Legrand slink onto the stage and take her place behind the organ. Alex Scally and touring drummer Daniel Franz were steps behind her, and they took a moment before launching into “Wild,” off their recent release, Bloom.

There must be some special deal singers have with the universe; they can get the box set of a big voice, big hair, and big shoulder pads. This isn't the first time a paper-thin singer has been anchored by shoulderpads—nor will it be the last. Probably not the most chatty musical group, the anxious crowd made due with the bare minimum of contact from the band. Which, while a taciturn band helped the dreamy atmosphere, seemed to keep Beach House from really connecting with the crowd.

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