Interview with Resa Blatman

Boston based artist Resa Blatman was kind enough to share about her crazy intense and surreal-y natural art. Here is what she says about her newest works, a tremedously cool blend of rich painting and cut edged canvases to expand the idea of hangable art:


"My current work is about fertility, abundance, sensuality, and an over-the-top beauty. The paintings combine decorative patterns with flora and fauna. The cut-edge surfaces are an extension of the painting itself, allowing the work to feel as if it is growing out of control."


Resa: "If you look at my “gallery” on MyArtSpace or check out my website at http://www.resablatman.com/ you can see the cut-edge panel paintings. This is my newest work and the direction I plan to pursue for now. I’ve completed two triptych cut-edge panels (the third, “Lemon Spray,” is nearly complete), and I’m in the process of starting a fourth in this series, which will be approximately 20-30 feet wide and include six or eight panels.
My plan is to keep the cut edges elaborate and have each of the panels integrate more often with one another. As for what I plan to paint, well, that’s my secret for now. Only my husband knows what I’m thinking about putting on the surface, and that may change."

You like them, don't you? I thought so. Resa's words come from a fabulously intensive interview with Brian Sherwin from MyArtSpace and can be read in full here: http://www.myartspace.com/blog/2009/05/art-space-talk-resa-blatman-part-1.html
Resa's work can be ogled at her website: www.resablatman.com

Camera Obscura: Wonder Ballroom June 4

All the back vowels in Scotland couldn't shy me away from Camera Obscura; darlings in their own right for being cute and sad with foppy bangs to prove it.  Backing their incredibly solid new album, "My Maudlin Career" they were kind enough to stop in Portland early this June to kick of a summer of light but introspective rock.

Openers Agent Ribbons hail from Sacraments, which is too bad for them, but they mentioned love being on the road.  There is a surreal quality to them, something like early Bjork; just being so entirely true to what they are that it feels like a Chinese-fingertrap: the more you want to be a part of it the less likely you are to obtain it.  So I just sat back and sipped the Malibu and pineapple and let the songs of carnivals and botched love wash over me.  Between the crazy vocal ranges, guitar/drum/cello/violin and the ragdoll attire, it was enough of a show to call it a good night.  Talking to the cellist later, she walked me through the process of how they make and decorate their own cds with little trinkets and pictures.  Each one means something to them, which was pretty sweet.

Camera spared no punches and opened with the title track off  "Maudlin." The live songs off the new album were definately highlights; they sounds a bit more forlorn and richer than the lp/cd/mp3 versions.  But the gem of the nightt was from their aptly named release "Underachievers Please Try Harder:" a sparkling "Books for Girls" which was a happy surprise to see live.  The stage presence of the seven band members (a few who were really moer just shakers of various instruments) looked impressive but the sound waned by the halfway point and it felt like a band gather suchh quiet acclaim was just phoning it in.  Perhaps the tour was weighing more on them than their previous visits to Portland, or maybe the sea of plaid shirts was a little too shocking for them....the ladies Obscura were holding the 50s fashion down on all accounts.  At any rate, the show was good, the girl very pretty, but their melancholy hearts just couldn't quite get into it.

Are you frakking kidding me?

Oh my. Someone, please, buy this and send it to me.

Interview: Rene Cigler

Hi y'all.
Portland artist/creator Rene Cigler passed away early in August of 2008. In July I had contacted her about an interview and she was kind enough to respond. The news of her death saddens me to this day, but I feel now is a good time to post her interview. Do visit strangemonsters.com to see and purchase her delightful arts. Even though I didn't personally know Rene, I miss her and thank her for her work and spirit.

-It's important to start off by saying you aren't some flash in the pan trendy artist. Share with us a bit how you grew up and how art became
such a huge part of your life.
(RENE) I grew up just outside Cleveland Ohio had a pretty average life just kickin it with the kids in my neighborhood playing around the woods
building forts and playing in nature.
I always loved creatures, character art and drawing and had a thing for
Snoopy and Dr. Seuss characters as most kids did. I excelled in art classes
and got a few mini scholarships and studied communication arts and Illustration.
Just after art school went back to Cleveland to pound the pavement for a job and happen to get a lead about a designer position at Those Characters From Cleveland a Division of American Greetings. After a few years I started moonlighting and working with my hands to create art pieces from found objects, electrical parts, kitchen utensils and doo-dads. I started a lil jewelry line called BOBELINK on the side. I sold to shops (famed "Patricia Fields" NYC), boutiques the art museum & galleries.
I love music and nightlife and I was a club kid hanging out dancing and drinking. Went to a fashion performance show at a club and thought how cool it would be for me to have a fashion show. I brainstormed a line of fashion looks that was an expansion of my jewelry line ...full body wear and almost costume like.
I got the hottest club in town to let me put on fashion show performance, it was a success and things just grew from there it was like a spark was lit. This lead to featuring my work on stage at Lollapalooza with Red hot chilly peppers, Ministry and MTV. Trendy fashion shows at the famed
Limelight in New York City. I was gaining a pretty nice portfolio working in 3-dimsionional objects making fashion and sculptures that were in several gallery shows and featured in magazines.
I happen to go to LA to exhibit my work at the Cyber Arts Convention and met with a X- Clevelander who owned a very propionate feature film prop shop in Hollywood. As I was in the shop a production designer from Warner Brothers stopped by, My friend said “you should see this girl’s work, it would be perfect for your film.” It turned out they were preparing Demolition Man starring Sylvester Stallone. I got on the project and my work was in the film and I was able to work on set. I moved to LA full time to see what I could make of this crazy new career.
Once in LA I got involved in Films like Tank Girl that featured my body
armor, jewelry. Also became a stylist for music videos to keep busy.
After a year of be bopping around the film industry I wanted something a lil more steady and called up Mattel Toys to see about a position as a Designer. I landed the job. Worked at Mattel for 2 years and then moved to San Francisco to work for Oddzon/ Hasbro Toys managing and designing licensed toys & development for films like Stars wars, Harry Potter, Toy story, Pokemon and many more.. It keep me busy for about 3 yrs but left to start a
company with my boyfriend and partner Cameron Smith. We started Strange Monster (apparel company) and Inkmonster (Licensing) I have been in business for about 8 yrs now, It's a lot of work but fun and rewarding.

-Describe your style to someone that may have never seen your work.

(RENE) I work in several mediums and styles and so it's hard to describe. When it comes to my drawing style I love to create imaginary characters somewhat cute with a misfit quality. I have an obsession with tentacles and cephalopods. I just cant draw them enough. When it comes to my 3-dimeional art I am inspired by history and cultural costumes from Africa with a dash a futurism.
I never really consciously think about what I going to create I let the
elements and materials come to together and it just all works out.

-Your work has some very delicate nature themes but also can be considered gothic. What inspires you currently?

(RENE) I enjoy the juxtaposition of the dark and light mischievous cute things. I am drawn to Victorian& Edwardian era all the detail and decoration inspires me.

-What medium do you prefer to work in?

(RENE) I am currently into drawing and silk screening, we have a 8 color silkscreen press. Cameron my partner has master the art of silk-screening so we are equal partners in the creation of our line.
have several half baked paintings on wood laying around the house that I work on occasionally.

-What do you like about living in the northwest?

I am soo happy I move up to Portland 3 yrs ago.
I love the quality of life, trees and nature, the people the quirkiness of this place makes me smile everyday. I feel at home here. I walk to Alberta as it's close to my house and enjoy the many local spots for food drink and yummy Stumptown coffee!

I would love to find more time to paint and create one of kind pieces, but I don't have tentacles.. So it will have to wait..